【BET88】 Link vào BET88 Đăng Ký & Đăng Nhập

Link BET88 Đăng Ký & Đăng Nhập

Traditional Tet of Vietnamese ethnic minorities

As Tet approaches, the festive atmosphere covers every corner of Vietnam. Each ethnic group has its own way of celebrating in terms of timing, rituals, customs and cuisine, creating a colourful panorama in the tapestry of national Tet celebrations.
Traditional Tet of Vietnamese ethnic minorities ảnh 1As Tet approaches, the festive atmosphere covers every corner of Vietnam. (Photo: VNA)

Hanoi (VNA) - As Tet approaches, the festive atmosphere covers every corner of Vietnam. Each ethnic group has its own way of celebrating in terms of timing, rituals, customs and cuisine, creating a colourful panorama in the tapestry of national Tet celebrations.

Vietnam is home to 54 ethnic groups, each with its own Tet customs, rituals, and attire. But all share common aspirations for a prosperous and happy New Year with favourable weather, bumper crops, and many fortunate encounters.

The Tet celebration often includes a series of special rituals and activities taking place during the transition from the old year to the new according to the traditional calendar of each ethnic group. 

New Year colours

For the Thai group, in addition to traditional rituals celebrating the New Year and commemorating ancestors, drums and gongs play an indispensable role during the festive days.

In Nghia Lo, the northern mountainous province of Yen Bai, each Thai hamlet possesses a set of gongs and drums displayed at a public place. On New Year’s Eve, the sound of drums and gongs resound  throughout hamlets to welcome the spring. During the festival, locals visit their relatives and friends to extend their New Year wishes during the daytime, and gather in the evening for folk games, singing and playing gongs.

For the Ha Nhi people, their traditional New Year is called Ho Su Cha, the most important festival in the year.

Artisan Po Dan Xinh from Ta Ko Khu hamlet, Sin Thau commue, Muong Nhe district, the northern mountainous province of Dien Bien, said Ho Su Cha is celebrated before Tet Nguyen Dan (the Lunar New Year), usually around December when the farming work is done. During the festival, the Ha Nhi people cheer bumper crops and pray for good luck.

The Ha Nhi people’s New Year festival begins early in the morning. Local women make "banh troi" (a cake made of bits of brown sugar wrapped in glutinous rice paste and cooked by scalding in boiling water) as an offering to Gods, asking for their permission to slaughter pigs to celebrate the festival. It is the tradition of the Ha Nhi people to slaughter pigs and use their livers to determine auspicious and inauspicious events for the upcoming year.

After that, the host takes a small portion from each part of the pig's body to make porridge and offers it to ancestors and Gods, praying for bumper crops, strong livestock, and good luck. Subsequently, family members gather to enjoy the New Year, then they visit and extend greetings to their relatives and other residents.

As night falls, amidst the sounds of gongs and drums, locals come together, holding hands and dancing around the fire until late at night. The New Year celebration of the Ha Nhi people spans three days.

Diverse forms of New Year celebration

Dr. Tran Huu Son, Director of the Institute for Research on the Application of Vietnamese Folk Arts, said ethnic minorities in Vietnam celebrate Tet in three specific time frames, following their traditional calendars.

The Lunar New Year is celebrated by such groups as Muong, Tho, Chut, Mang, Khang, Xinh Mun and Kho Mu in the northwestern region; O Du in the central province of Nghe An; Tay, Thai, Nung, San Chay, Cao Lan-San Chi, Giay, Lu, Bo Y, La Chi, La Ha, Co Lao, Pu Peo, Dao, Pa Then and Mong in the northeastern region; and the Hoa, Ngai, San Diu, Phu La and Ha Nhi in the northern mountainous province of Lao Cai. These groups maintain their own traditional customs, but the time to celebrate Tet is consistent with that of the Kinh people.

Some celebrate the traditional New Year according to their own calendars, including Mong in the northwestern and north-central regions with Nao Po Trau; Ha Nhi Hoa in Lai Chau and Dien Bien with Ho Su Cha; Cong in Dien Bien with Uy La Long; La Hu in Lai Chau with Kho Xo; Si La in Lai Chau and Dien Bien with O Xi Gia; Cham with Rija Nugar; and southern Khmer people with Bon Chol Chnam Thmay.

Meanwhile, others in Truong Son and Central Highlands like Ede, Ba Na, Xo Dang, Co Ho, Hre, Mnong, Raglai, Xtieng, Co Tu, Gie Trieng, Ma, Co, Cho Ro, Chu Ru, Brau, and Ro Mam celebrate the New Year from January to March each year in the lunar calendar.

Son said most indigenous ethnic groups follow an agricultural calendar. They consider the time after the dry season, when the first raindrops accompanied by the first thunder signal the upcoming rainy season (the cultivation season, usually around the end of February or early March in the lunar calendar), the beginning of the New Year.

In addition to the three aforementioned unique New Year celebration forms, some ethnic minority groups, such as Ta Oi and Bru-Van Kieu, used to celebrate Tet during the dry season like those in the Central Highlands. However, in recent decades, they have shifted to celebrating both Tet Nguyen Dan and their own Tet.

The New Year celebration is a series of unique rituals and cultural activities that take place at the transition between the old year and the new according to the calendar of each ethnic group. It is a set of distinctive cultural activities that reflect the diversity of ethnic cultures, manifested in the timing, spatial organisation, as well as customs, traditions, cuisine, clothing, and more. Additionally, Tet is always associated with spiritual and cultural aspects, integral components that cannot be overlooked./.

VNA

Through this coordinated effort, Da Nang aims to establish DANAFF not only as an annual film event but also as a distinctive cultural landmark, helping position the city as a reputable destination for regional film and cultural events and enhancing its international profile, Vice Chairwoman of the municipal People’s Committee Nguyen Thi Anh Thi, said.

Experts have called for stronger implementation of heritage management regulations under the Cultural Heritage Law, clearer responsibilities for site management boards and stricter action against activities that distort cultural traditions.

A wide range of traditional handicrafts reflecting Vietnam’s rich cultural heritage, including ceramics, lacquerware, silk products, brocade textiles and other items, attracted considerable attention from visitors. Many products sold out early in the day.

Non Nuoc Mountain, located in Hoa Lu ward and recognised as one of the province’s ten special national relic sites, preserves a valuable collection of cliffside stone steles (known as ma nhai).

To mark International Children's Day on June 1, the Union of Vietnamese Organisations in Russia organised a friendly football tournament, giving young players an opportunity to showcase their talent, pursue their passion and strengthen ties with one another.

The 280-page collection, translated into Vietnamese by poet Tran Le Khanh, brings together works inspired by Weigl’s experiences, observations and reflections on Hanoi.

Technology is similarly enriching exhibitions at the Vietnam Women’s Museum in Hanoi. Wartime letters, a typewriter and other artefacts linked to former Vice President Nguyen Thi Binh have been digitally integrated with collections held at the War Remnants Museum in Ho Chi Minh City. Through projection mapping, 3D displays and a virtual reality recreation of the Paris Peace Agreement, visitors can engage more deeply with the life and achievements of one of Vietnam’s most prominent diplomats.

The festival is expected to bring together around 900 artists, producers and film professionals from Vietnam and abroad, including more than 200 international guests. This marks the largest edition since DANAFF was first launched in 2023, highlighting its growing appeal within the film industry.

Bilingual book, exhibition honour Ho Chi Minh’s legacy

Under the Politburo's Resolution No. 80-NQ/TW, issued on January 7, 2026, culture is defined as the spiritual foundation of society, an important endogenous resource, a driver of socio-economic development and a source of national soft power. In the new era, cultural values are expected to permeate all aspects of life, serving as a foundation, resource, catalyst and regulatory force for the country’s rapid and sustainable development.

Designed as a continuous artistic journey, the event paired two generations of pianists in a musical dialogue intended to foster connection, dialogue and mutual understanding while deepening the Vietnam-Poland comprehensive partnership.

The triumph marked a breakthrough moment for Vietnamese Free Fire esports, with SECRET WAG becoming the first Vietnamese squad to lift an FFWS SEA trophy on home soil. The result underscored the rising stature and growing competitiveness of Vietnam’s esports scene in Southeast Asia.

The exhibition showcased more than 20 works by five Vietnamese artists – Trinh Minh Tien, Do Hiep, Tran Ngoc Anh, Trinh Tuan and Cong Kim Hoa – representing different generations and artistic styles.

Making its debut at the Asian Pop Culture Festival (APCF), the largest event of its kind ever staged in Paris, Vietnam featured around 10 booths, including six dedicated to food and several others highlighting the nation’s cultural heritage.

Grandmaster Le Tuan Minh is the first Vietnamese representative at the Esports Nations Cup (ENC) 2026 in Saudi Arabia in November.

Located about 3km southeast of Hoi An and 31km from central Da Nang, the village stretches along the banks of the Hoai, Thu Bon and De Vong rivers. Combined with the area’s tropical climate, the waterways nurture a thriving nipa palm ecosystem rich in biodiversity and scenic beauty. ​

The festival, an annual cultural and tourism event in Ho Chi Minh City, serves as an opportunity to promote the agricultural products and distinctive culture of the Mekong Delta to domestic and international visitors.

Many attendees expressed surprise and admiration upon learning about “dan bau” – an instrument widely regarded as a symbol of Vietnamese traditional music.

Vice Chairman of the Ho Chi Minh City People’s Committee Tran Van Bay extended greetings to the local Buddhist community and acknowledged the important contributions made by the city chapter of the VBS and followers to local socio-economic development.

Most Venerable Thich Tri Quang, Supreme Patriarch of the VBS Patronage Council, called on Buddhist dignitaries, monks, nuns, and followers to continue serving society with mindfulness and compassion, uphold the noble traditions of Vietnamese Buddhism, and spread the light of kindness to foster a better life for all.