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Vietnamese film introduced to South African audiences

“Mat biec” (Dreamy Eyes), a movie by Victor Vu, has been screened in South Africa during the ASEAN Film Festival in the African country.
Vietnamese film introduced to South African audiences ảnh 1Vietnamese booth at the event introduces various publications and products of Vietnam (Photo: VNA)
Hanoi (VNA) - “Mat biec” (Dreamy Eyes), a movie by Victor Vu, has been screened in South Africa during the ASEAN Film Festival in the African country.

This is the first time a Vietnamese film has been introduced to South African audiences.

Heather Dixon, a local watcher, said that through the film, she can feel the beauty of Vietnam.

Along with the film, the Vietnamese Embassy also brought to the event many publications on the culture, nation and people of Vietnam as well as some Vietnamese products.

Taking place in three days from November 17-19 in Johannesburg, the ASEAN Film Festival, an initiative of the ASEAN Committee in Pretoria, brought famous films from seven countries - Indonesia, Malaysia, Myanmar, Philippines, Singapore, Thailand, and Vietnam.

Addressing the opening ceremony, Myanmar’s Ambassador Myint Swe said that the event aims to strengthen connections among ASEAN countries in South Africa and, at the same time, to foster the all-round relations between the association and South Africa.

It is expected to spread the image of an ASEAN of dynamism, solidarity, and friendship to international friends.

Raymond Medhurst, an official from South Africa’s Foreign Ministry, said that he hopes the films will motivate South African people to visit ASEAN member countries./.
VNA

A considerable gap remains between policy ambitions and practical implementation, beginning with the way cultural heritage itself is approached.

The festival featured more than 20 booths offering traditional Vietnamese dishes, including "pho" and spring rolls, alongside activities promoting Ao Dai (Vietnamese traditonal long dress). One of the highlights was the presentation of complimentary Ao Dai to Czech residents and international visitors.

The throne has been reinstated at its original central position inside Thai Hoa Palace, the ceremonial heart of the former imperial court. Its return has attracted significant interest from visitors and heritage enthusiasts eager to see one of Vietnam’s most important royal artefacts back on display.

Under the Politburo’s Resolution No. 80-NQ/TW on the development of Vietnamese culture, Hanoi has been given fresh opportunities to leverage its cultural, historical, tourism and creative assets. The city’s recently approved project on developing the night-time economy for 2026–2030, with a vision to 2045, is expected to create momentum for cultural industry growth while enhancing Hanoi’s standing as a creative and modern city with a distinctive identity.

First recognised by UNESCO on April 12, 2018, the Non Nuoc Cao Bang Global Geopark in the northern province of Cao Bang is a land shaped by more than 500 million years of geological history. Covering over 3,683 sq.km and encompassing all or part of 36 communes and wards, the geopark is home to numerous scenic landscapes, as well as historical and cultural sites of exceptional value.

The decision marks a significant milestone in the growing convergence of classical mind sports and the rapidly expanding global esports industry, where chess is increasingly being integrated into digital competition formats.

Following the AVC Challenge Cup, Vietnam face a demanding international schedule with four more major tournaments this year, including the Asian Championship in China and the Asian Games (ASIAD).

Through this coordinated effort, Da Nang aims to establish DANAFF not only as an annual film event but also as a distinctive cultural landmark, helping position the city as a reputable destination for regional film and cultural events and enhancing its international profile, Vice Chairwoman of the municipal People’s Committee Nguyen Thi Anh Thi, said.

Experts have called for stronger implementation of heritage management regulations under the Cultural Heritage Law, clearer responsibilities for site management boards and stricter action against activities that distort cultural traditions.

A wide range of traditional handicrafts reflecting Vietnam’s rich cultural heritage, including ceramics, lacquerware, silk products, brocade textiles and other items, attracted considerable attention from visitors. Many products sold out early in the day.

Non Nuoc Mountain, located in Hoa Lu ward and recognised as one of the province’s ten special national relic sites, preserves a valuable collection of cliffside stone steles (known as ma nhai).

To mark International Children's Day on June 1, the Union of Vietnamese Organisations in Russia organised a friendly football tournament, giving young players an opportunity to showcase their talent, pursue their passion and strengthen ties with one another.

The 280-page collection, translated into Vietnamese by poet Tran Le Khanh, brings together works inspired by Weigl’s experiences, observations and reflections on Hanoi.

Technology is similarly enriching exhibitions at the Vietnam Women’s Museum in Hanoi. Wartime letters, a typewriter and other artefacts linked to former Vice President Nguyen Thi Binh have been digitally integrated with collections held at the War Remnants Museum in Ho Chi Minh City. Through projection mapping, 3D displays and a virtual reality recreation of the Paris Peace Agreement, visitors can engage more deeply with the life and achievements of one of Vietnam’s most prominent diplomats.

The festival is expected to bring together around 900 artists, producers and film professionals from Vietnam and abroad, including more than 200 international guests. This marks the largest edition since DANAFF was first launched in 2023, highlighting its growing appeal within the film industry.

Bilingual book, exhibition honour Ho Chi Minh’s legacy

Under the Politburo's Resolution No. 80-NQ/TW, issued on January 7, 2026, culture is defined as the spiritual foundation of society, an important endogenous resource, a driver of socio-economic development and a source of national soft power. In the new era, cultural values are expected to permeate all aspects of life, serving as a foundation, resource, catalyst and regulatory force for the country’s rapid and sustainable development.

Designed as a continuous artistic journey, the event paired two generations of pianists in a musical dialogue intended to foster connection, dialogue and mutual understanding while deepening the Vietnam-Poland comprehensive partnership.

The triumph marked a breakthrough moment for Vietnamese Free Fire esports, with SECRET WAG becoming the first Vietnamese squad to lift an FFWS SEA trophy on home soil. The result underscored the rising stature and growing competitiveness of Vietnam’s esports scene in Southeast Asia.

The exhibition showcased more than 20 works by five Vietnamese artists – Trinh Minh Tien, Do Hiep, Tran Ngoc Anh, Trinh Tuan and Cong Kim Hoa – representing different generations and artistic styles.