Library building of Nguyen Dynasty opened to public
Tang Tho Lau (Library), part of the Complex of Hue Monuments in the central province of Thua Thien-Hue, was opened on March 15, an important cultural event helping to revive a national-level archival centre during the Nguyen Dynasty (1802 – 1945).
Tang Tho Lau in the Complex of Hue Monuments, Thua Thien-Hue province (Photo: VNA)
Thua Thien-Hue (VNA) – Tang Tho Lau(Library), part of the Complex of Hue Monuments in the central province of ThuaThien-Hue, was opened on March 15, an important cultural event helping torevive a national-level archival centre during the Nguyen Dynasty (1802 – 1945).
Tang Tho Lau, built in 1825 under the reign ofKing Minh Mang (1791 – 1841), is a two-storey building located on a rectangularislet at the centre of Hoc Hai Lake.
It is divided into small spaces with manywindows, and this scientific design is meant to serve the function of storingand conserving books and important papers of the court.
The Hue Monuments Conservation Centre said TangTho Lau used to suffer from serious degradation due to ups and downs in historywhile archives kept here had been displaced, even to other countries.
After Tang Tho Lau was put under the centre’smanagement, its restoration has been carried out since 2014, and the site iscurrently storing a large number of documents, videos, and images.
Director of the conservation centre Vo Le Nhatexpressed his hope that in the time ahead, Tang Tho Lau will not only be aplace for keeping archives or studying cultural heritage but also become a uniqueattraction for both researchers and tourists.
The Complex of Hue Monuments was recognised as aworld cultural heritage site by UNESCO in 1993.
Apart from this complex, Hue city, which was theimperial capital of Vietnam during the Nguyen Dynasty, is also home to fourothers in the world heritage lists, namely “Nha nhac” or Vietnamese court music(Intangible Cultural Heritage of Humanity); the woodblocks of theNguyen Dynasty (part of the Memory of the World Programme); the imperial archivesof the Nguyen Dynasty (part of the Memory of the World Programme); and theLiterature on Hue Royal Architecture (part of DocumentaryHeritage in the Memory of the World Programme)./.
VNA
Related News
Hanoi (VNA) – The People’s Committee of the central province of Thua Thien-Hue has issued a decision approving a project on tourism recovery and stimulation between 2020-2021, with a range of urgent tasks and solutions.
Preserving heritage is now the top priority of UNESCO and countries having globally-recognised heritage, including Vietnam.
The Hue Monuments Conservation Centre on January 1 hosted an opening ceremony for Ngo Mon space and re-enactment of Ban Soc ceremony (ceremony to distribute calendars for royal mandarins during the Nguyen Dynasty).
Tourists visiting Hue monuments in the central province of Thua Thien-Hue sharply fell to over 1 million last year due to the COVID-19 pandemic, resulting in revenue of more than 106 billion VND (4.6 million USD), down 72.62 percent year on year.
An exhibition on King Gia Long, the first king of the Nguyen Dynasty (1802–1945), opened at Long An Palace of the Hue Royal Antiquities Museum on January 31.
Standing on the historic land of Quang Tri, alongside the Ben Hai River, the Quang Tri Ancient Citadel and the national martyrs’ cemeteries, people are reminded of the true value of peace and the sacrifices made for national independence, freedom and reunification.
One of the exhibition's highlights is the "Our Sound" installation, where visitors become part of the artwork itself. As multiple participants interact simultaneously, sound and light merge into a shared composition, conveying messages of connection, sharing and collective responsibility for building sustainable communities in harmony with nature.
The programme retraced the city's half-century journey of construction and development while conveying the affection and pride of people across the country for Vietnam's economic powerhouse.
Unlike conventional fireworks that are launched directly into the sky, water fireworks are fired into the water first. After absorbing water, they burst upward from the surface, creating striking light effects against the backdrop of the Saigon River.
Chinese entertainment stars are increasingly choosing outfits by Vietnamese designers for red carpet events, concerts, magazine shoots and international appearances, propelling Vietnamese fashion into the spotlight across Chinese social media and strengthening its presence in one of Asia's largest fashion markets.
The “Vietnam Day in Skopje 2026” event has been held in the heart of Skopje, bringing Vietnam’s cultural heritage and contemporary image closer to the people of North Macedonia and international visitors.
The event opened a series of commemorative activities marking 50 years since Saigon – Gia Dinh was officially named after President Ho Chi Minh (July 2, 1976–2026).
Dr. Ngo Phuong Lan, Chairwoman of the Vietnam Cinema Promotion and Development Association and Director of DANAFF IV, said the Politburo's Resolution No. 57-NQ/TW on breakthroughs in science, technology, innovation, and national digital transformation, and Resolution No. 80-NQ/TW on the development of Vietnamese culture have created a solid foundation for advancing cultural industries and a creative economic sector, and strengthening IP protection, opening up new opportunities for Vietnam's film sector.
Titled "The Last Bullet," the film follows the remarkable journey of the Olympic shooting champion, highlighting the perseverance, discipline, coach-athlete bond and personal sacrifices behind his historic achievement.
The photo exhibition featured vivid images of Vietnam's majestic natural scenery, rich cultural heritage, distinctive customs and centuries-old traditional craft villages.
The festival conveyed a meaningful message on safeguarding and promoting ethnic cultural identities to both domestic and international audiences. It helped raise public awareness and community responsibility while creating new momentum for tourism development, cultural industries and traditional crafts closely associated with the lives of Cham people in the new era.
Jointly organised by the Vietnam Fine Arts Association, the Guangxi Arts University of China and the Lijiang School of Painting of Guangxi, the exhibition features more than 90 selected paintings which cover a wide range of subjects, including landscapes, flowers, birds and portraits.
Held from June 26 to 28 around West Lake, the festival featured a vibrant programme of cultural performances, exhibitions, hands-on experiences and tourism promotion activities, helping showcase Hanoi as a safe, friendly and culturally rich destination.
After three editions under the theme "Bridging Asia", DANAFF IV has adopted the new theme "Bridging Asia to the World", reflecting its ambition to connect Vietnamese cinema more closely with regional and global film industries.
This year’s race route once again left a strong impression as participants passed through some of Ly Son’s most iconic landscapes, including windswept coastal roads, dramatic volcanic rock formations and distinctive green garlic fields.
The two teams were selected by the the jury of DIFF 2026 after the qualifying rounds, based on criteria including concept and theme, creativity, pyrotechnic effects, synchronisation between music and fireworks, overall performance quality, and audience impact.
Centred on presenting a Vietnam that is youthful and dynamic while remaining deeply rooted in cultural identity, the festival offered a diverse programme combining exhibitions, cultural experiences, cuisine, performing arts and film, contributing to the promotion of Vietnam’s image and people to Czech and international audiences.
Xam singing, a folk art form with a history of more than 700 years, is not only a distinctive form of performance but also a living archive of Vietnamese cultural memory, reflecting everyday life, emotions, and aspirations across generations.
Themed "Vision," the two teams brought the festival's qualifying round to a spectacular close with performances that combined artistic storytelling, synchronised music and cutting-edge pyrotechnic techniques.
The pagoda preserves 896 woodblocks, including 26 sets of Buddhist texts and several unidentified pieces.