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Vietnamese artist crosses Pacific Ocean to reach around the world

Vietnamese artist crosses Pacific Ocean by cargo boat to reach around the world

Vietnamese multimedia artist Tran Nguyen Uu Dam will embark on a performance trip by cargo boat from Vietnam to the US at the end of this month. The 30-day journey and performance along the coast of California will complete one small segment of the artist’s long-term, multi-phase work entitled Time Boomerang.
Vietnamese artist crosses Pacific Ocean by cargo boat to reach around the world ảnh 1Vietnamese artist Tran Nguyen Uu Dam will embark on his 30-day voyage across the Pacific Ocean by cargo boat from Việt Nam at the end of this month.  (Photo: Uudam Tran Nguyen's Facebook)

Hanoi (VNS/VNA) - Vietnamese multimedia artist Tran Nguyen Uu Dam willembark on a performance trip by cargo boat from Vietnam to the US at the end ofthis month. The 30-day journey and performance along the coast of Californiawill complete one small segment of the artist’s long-term, multi-phase workentitled Time Boomerang.

Launched by the artist in 2013, the project includes performances,installations and other forms of interactive art in various countries aroundthe world.

The artist’s journey will be sponsored by the Orange County Museum of Art inthe US and other organisations in addition to his own budget. He also usedcrowdfunding.

As part of Time Boomerang, Dam is travelling to oceans on five continents todeposit bronze models of his fingertips into the water.

Dam said he was inspired by stories about the East Sea. His original idea wasto launch bronze fingertips to the north, south, west and east of Vietnam tosymbolise ownership, control and protection. Since then he has expanded hisidea to the whole globe, reflecting his thoughts about colonialism andimperialism.

“I cast my hand, fingers fully outstretched in my childhood measuring gesture,in metal," the artists wrote on Facebook. "When it was completed, Icut off the five fingertips and moved them away from the hand. Over a period ofseveral years, I will place the fingertips in oceans in five differentcontinents, symbolically extending my ability to measure (or mark newterritories).”

In September 2015, Dam launched the first bronze fingertip into the waters ofthe Gulf of Bothnia in Europe. Two months later, he placed the second into thewaters of Moreton Bay in Australia. California was chosen as the nextdestination for this August. The performance will complete the third part ofTime Boomerang's second of eight phases.

The first phase was entitled "The Real Distances of Things BeingMeasured". Phase two is called "The New Conqueror with a GoodPassport".

Dam said that although the project now extends to the rest of the world, itsidea originated from Vietnam.

“I left Vietnam at the age of 23 but my foundation is still based there,"he said. "I decided to go back to Vietnam because I can feel the specialemotions there, as artists tend to follow their emotions."

“I do not dare to say that I represent Vietnam’s contemporary arts,” he added.“I’m just a tiny segment of Vietnam’s contemporary arts which have been createdby many talented artists. However, on stepping out of Vietnam, I have alwaysbeen aware that international audiences' views of the country and itscontemporary arts will be reflected through my works of arts.”

Born in the Central Highlands province of Kon Tum, Dam was trained as asculptor at Ho Chi Minh City Fine Arts University. He then received a Bachelorof Art at the University of California, Los Angeles and a Master of Fine Artsat the School of Visual Arts in New York.

Dam combines video, performance, photography, sculpture and new media, and hisworks have been exhibited internationally in such destinations as theQueensland Gallery of Modern Art in Brisbane and the Asia Society in New York.— VNS/VNA
VNA

A highlight of Kids Fest 2026 is an interactive experience zone inspired by a Rubik's Cube, with six colourful sections representing creativity, arts, sports, knowledge, the environment, and family and global integration.

The festival is part of Hanoi's strategy to boost its cultural industries by transforming cultural heritage into a driver of socio-economic development while preserving and promoting the city's traditional cultural values.

The showcased works present diverse perspectives on a peaceful, stable and dynamic Vietnam where human rights are respected, protected and promoted.

Digital technology is showcasing the World Cultural Heritage site of My Son Sanctuary, enabling visitors to experience its historical and cultural significance while supporting long-term conservation. The site's authenticity is being preserved through scientific restoration and digital transformation, enhancing the visitor experience, and promoting sustainable tourism.

The festival, running from April to December, features a wide range of commemorative, cultural, artistic, sporting, tourism, investment networking, trade promotion and community activities carrying messages of peace, friendship and development.

“Vive la Paix” (Long Live Peace) painting was created by Spanish artist Pablo Picasso in 1954 following the signing of the Geneva Accords and was published on the front page of the French newspaper L’Humanité. While Picasso’s famous peace dove appears prominently in the painting, he also added images of people wearing Vietnamese conical hats alongside landscapes reminiscent of Vietnam.

Artistic director and international classical solo musician Hang Nguyen from the Da Nang-based Mun Art Academy said the competition will open at the Muong Thanh Luxury hotel, with a gala concert From Heritage to Harmony, a Journey across Cultures starting at 7.30pm on June 26.

Vietnamese Consul General Nguyen Viet Kien stressed that cultural exchange activities serve as a powerful bridge connecting people and strengthening bonds among different communities in Artyom.

The celebrations will feature five high-altitude fireworks sites combined with low-altitude displays, together with low-altitude fireworks at 11 additional locations to serve residents and visitors across the city.

At the centre of the scene, more than 1,000 traditional conical hats were arranged to form a giant teapot and a tea blossom – familiar symbols of Vietnam’s tea culture.

The additional seating in Grandstand A4 will be put into operation ahead of schedule to meet growing demand from both local residents and tourists eager to enjoy one of Vietnam’s most anticipated summer events.

At a press conference held in Hanoi on the afternoon of June 22, organisers said the competition is expected to welcome approximately 15,000 participants competing across the four distances of 42km, 21km, 9.2km and 2.9km.

Over the past decade, Trang An has become a successful example of development that regards culture as both a driving force and an objective while placing people at the centre of all development efforts.

Nguyen Thi Dieu Ly defeated Kama Tsubasa of Japan 5–1 to take the title in the women's 68kg class, helping Vietnam complete its target at the continental tournament.

The main festival activities will take place from July 17-19 in Nha Trang, while related events will be held across the province from July 10 to August 10.

More than an annual sporting event, this year’s tournament has become a symbol of the resilience, solidarity and growing strength of the Vietnamese community in Russia.

Quartet Ta Ngoc Tuong, Vu Ngoc Khanh, Tran Dinh Son and Le Ngoc Phuc stunned onlookers with their win in the men's 4x400m event.

The festival aims to showcase the cultural and tourism values of Thang Long – Hanoi, honour the beauty and significance of the lotus in Vietnamese life, and promote lotus-based products as part of efforts to boost the capital’s cultural and tourism industries.

Vietnam’s cultural industries currently comprise around 70,000 active enterprises, generating employment for more than 3 million workers and contributing an estimated 2.5–3% of GDP. Several localities have also developed creative ecosystems, innovation hubs, and effective cultural economy models.

Among the province’s success stories is Ta Phin commune, one of Lao Cai’s earliest community-based tourism destinations and a locality renowned for its diverse traditional occupations that provide stable and sustainable livelihoods for ethnic minority communities.