An excavation on the Hai Van Gate relic complex which sits atop its namesake mountainous pass in central Vietnam has unveiled a clear layout of the old foundations of citadel walls and a section of the north-south route.
An overall view of the Hai Van Gate complex at the top of the Hai Van Pass (Photo: VNA)
Da Nang (VNA) - An excavation onthe Hai Van Gate relic complex which sits atop its namesake mountainous pass,about 490m above sea level, in central Vietnam has unveiled a clear layout ofthe old foundations of citadel walls and a section of the north-south route.
Archaeologists from the National HistoricalMuseum and the Hue Monuments Conservation Centre have revealed the informationat a press conference on the initial excavation on the site.
The Hai Van Gate, situated on the border ofThua Thien-Hue and Da Nang city, had been in ruins for years due to weather. Itwas recognised as a national relic in 2017.
The excavation, which was begun on 900sq.min May, clearly identified the base level foundations of 1826-built two gates –at north and south – which were either changed of structure or damaged duringthe war (1946-1975).
Researchers also unearthed the originalboundary of the Hai Van Gate relic, which was overlapped by 1960s-built rockwalls and tunnels built by the French and the US soldiers during the French andthe American wars.
According to Director of the Hue MonumentsConservation Centre, Phan Thanh Hai, it’s an important discovery to mark theoriginal location of the old relic before restoration. Part of the structure ofthe relic was changed during the war when the French and the US troops builtbunkers at the site. Some new brick and rock walls, concrete roofs and steelladders were also built as an accommodation unit for the barracks.
The Hai Van Gate is located at the top of the 490m above sea level Hai Van Pass andholds profound historical, architectural and artistic value, connecting DaNang’s Lien Chieu district with Thua Thien-Hue’s Lang Co township, Phu Locdistrict.
The Hai Van Pass runs some 21km on the BachMa Range, which juts into the East Sea in central Vietnam.
The relic complex was built in 1826 underthe rule of the Nguyen dynasty’s King Minh Mang (1791-1841), who ordered theconstruction of multiple defensive structures on Hai Van Pass to protect thethen imperial capital of Vietnam in Hue. The structures includedfortifications, store houses and cannon forts.
According to historical records, afterbuilding the complex, King Minh Mang inscribed its name in Vietnamese - “HaiVan Quan” (Hai Van Gate) - on one side of the gate facing Hue Imperial Citadel,and the words “Thien ha de nhat hung quan” (the world’s most marvelous wonder)on the other side facing Da Nang.
The Hai Van Pass, 28km away from Da Nang and80km far from Hue city, is the only road allowing tankers or road adventurersto travel between Da Nang and Hue since the Hai Van tunnel became operationalin 2005.
The Hai Van Gate hosted 320,000 tourists in2017.-VNA
VNA
Related News
Cultural authorities of Thua Thien- Hue and Da Nang are establishing landmarks around Hai Van Quan, a relic lying on the border separating the two localities.
A certificate recognising Hai Van Quan (Hai Van Gate) as a national relic site was granted to authorities of central Thua Thien-Hue province and Da Nang city during a ceremony on May 24.
The Hai Van Pass lies on the border of Thua Thien-Hue province and Da Nang city in central Vietnam. It is 21 kilometres in length and around 496 metres above sea level.
The Hai Van Pass lies between Thua Thien-Hue province and Da Nang city in central Vietnam. It is around 20 kilometres in length and around 496 metres above sea level.
The throne has been reinstated at its original central position inside Thai Hoa Palace, the ceremonial heart of the former imperial court. Its return has attracted significant interest from visitors and heritage enthusiasts eager to see one of Vietnam’s most important royal artefacts back on display.
Under the Politburo’s Resolution No. 80-NQ/TW on the development of Vietnamese culture, Hanoi has been given fresh opportunities to leverage its cultural, historical, tourism and creative assets. The city’s recently approved project on developing the night-time economy for 2026–2030, with a vision to 2045, is expected to create momentum for cultural industry growth while enhancing Hanoi’s standing as a creative and modern city with a distinctive identity.
First recognised by UNESCO on April 12, 2018, the Non Nuoc Cao Bang Global Geopark in the northern province of Cao Bang is a land shaped by more than 500 million years of geological history. Covering over 3,683 sq.km and encompassing all or part of 36 communes and wards, the geopark is home to numerous scenic landscapes, as well as historical and cultural sites of exceptional value.
The decision marks a significant milestone in the growing convergence of classical mind sports and the rapidly expanding global esports industry, where chess is increasingly being integrated into digital competition formats.
Following the AVC Challenge Cup, Vietnam face a demanding international schedule with four more major tournaments this year, including the Asian Championship in China and the Asian Games (ASIAD).
Through this coordinated effort, Da Nang aims to establish DANAFF not only as an annual film event but also as a distinctive cultural landmark, helping position the city as a reputable destination for regional film and cultural events and enhancing its international profile, Vice Chairwoman of the municipal People’s Committee Nguyen Thi Anh Thi, said.
Experts have called for stronger implementation of heritage management regulations under the Cultural Heritage Law, clearer responsibilities for site management boards and stricter action against activities that distort cultural traditions.
A wide range of traditional handicrafts reflecting Vietnam’s rich cultural heritage, including ceramics, lacquerware, silk products, brocade textiles and other items, attracted considerable attention from visitors. Many products sold out early in the day.
Non Nuoc Mountain, located in Hoa Lu ward and recognised as one of the province’s ten special national relic sites, preserves a valuable collection of cliffside stone steles (known as ma nhai).
To mark International Children's Day on June 1, the Union of Vietnamese Organisations in Russia organised a friendly football tournament, giving young players an opportunity to showcase their talent, pursue their passion and strengthen ties with one another.
The 280-page collection, translated into Vietnamese by poet Tran Le Khanh, brings together works inspired by Weigl’s experiences, observations and reflections on Hanoi.
Technology is similarly enriching exhibitions at the Vietnam Women’s Museum in Hanoi. Wartime letters, a typewriter and other artefacts linked to former Vice President Nguyen Thi Binh have been digitally integrated with collections held at the War Remnants Museum in Ho Chi Minh City. Through projection mapping, 3D displays and a virtual reality recreation of the Paris Peace Agreement, visitors can engage more deeply with the life and achievements of one of Vietnam’s most prominent diplomats.
The festival is expected to bring together around 900 artists, producers and film professionals from Vietnam and abroad, including more than 200 international guests. This marks the largest edition since DANAFF was first launched in 2023, highlighting its growing appeal within the film industry.
Bilingual book, exhibition honour Ho Chi Minh’s legacy
Under the Politburo's Resolution No. 80-NQ/TW, issued on January 7, 2026, culture is defined as the spiritual foundation of society, an important endogenous resource, a driver of socio-economic development and a source of national soft power. In the new era, cultural values are expected to permeate all aspects of life, serving as a foundation, resource, catalyst and regulatory force for the country’s rapid and sustainable development.
Designed as a continuous artistic journey, the event paired two generations of pianists in a musical dialogue intended to foster connection, dialogue and mutual understanding while deepening the Vietnam-Poland comprehensive partnership.
The triumph marked a breakthrough moment for Vietnamese Free Fire esports, with SECRET WAG becoming the first Vietnamese squad to lift an FFWS SEA trophy on home soil. The result underscored the rising stature and growing competitiveness of Vietnam’s esports scene in Southeast Asia.
The exhibition showcased more than 20 works by five Vietnamese artists – Trinh Minh Tien, Do Hiep, Tran Ngoc Anh, Trinh Tuan and Cong Kim Hoa – representing different generations and artistic styles.
Making its debut at the Asian Pop Culture Festival (APCF), the largest event of its kind ever staged in Paris, Vietnam featured around 10 booths, including six dedicated to food and several others highlighting the nation’s cultural heritage.
Grandmaster Le Tuan Minh is the first Vietnamese representative at the Esports Nations Cup (ENC) 2026 in Saudi Arabia in November.