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Vietnamese movie wins prize at Cairo int’l film festival

Vietnamese movie Nguoi Vo Ba (The Third Wife) on November 29 received the Best Artistic Contribution in International Competition awards at the 40th Cairo International Film Festival (CIFF).
Vietnamese movie wins prize at Cairo int’l film festival ảnh 1The 14-year-old girl May, the film's protagonist (Photo: VNA)
Cairo (VNA) – Vietnamese movieNguoi Vo Ba (The Third Wife) on November 29 received the Best ArtisticContribution in International Competition awards at the 40th Cairo InternationalFilm Festival (CIFF).

Directed by Nguyen Phuong Anh (Ash Mayfair), thefilm was among the best 14 of the international competition category at theCIFF. 

It tells a story in the 19th century ruralVietnam, in which a 14-year-old girl becomes the third wife of a wealthylandowner. Soon she learns that she can only gain status by giving birth to ababy boy.

Her hope to change her status turns into a realand tantalising possibility when she becomes pregnant. Faced with forbiddenlove and its devastating consequences, she finally comes to understand thebrutal truth: the options available to her are few and far between.

The first motion picture by director Phuong Anhwon the Network for the Promotion of Asian Cinema (NETPAC) award for the bestAsian film at the Toronto International Film Festival in September. It alsoearned the Best Film award at the 24th Kolkata International Film Festival inIndia this month. 

The 40th CIFF took place from November 20 to 29,featuring more than 160 movies of 59 countries and territories. It is an annualevent organised by the Egyptian Ministry of Culture and viewed among major andacclaimed film festivals of the world. 

In last year’s edition of the festival, Dao CuaDan Ngu Cu (The Way Station) by young director Pham Thi Hong Anh was includedin the list of best 16 films. –VNA 
VNA

Over the past decade, Trang An has become a successful example of development that regards culture as both a driving force and an objective while placing people at the centre of all development efforts.

Nguyen Thi Dieu Ly defeated Kama Tsubasa of Japan 5–1 to take the title in the women's 68kg class, helping Vietnam complete its target at the continental tournament.

The main festival activities will take place from July 17-19 in Nha Trang, while related events will be held across the province from July 10 to August 10.

More than an annual sporting event, this year’s tournament has become a symbol of the resilience, solidarity and growing strength of the Vietnamese community in Russia.

Quartet Ta Ngoc Tuong, Vu Ngoc Khanh, Tran Dinh Son and Le Ngoc Phuc stunned onlookers with their win in the men's 4x400m event.

The festival aims to showcase the cultural and tourism values of Thang Long – Hanoi, honour the beauty and significance of the lotus in Vietnamese life, and promote lotus-based products as part of efforts to boost the capital’s cultural and tourism industries.

Vietnam’s cultural industries currently comprise around 70,000 active enterprises, generating employment for more than 3 million workers and contributing an estimated 2.5–3% of GDP. Several localities have also developed creative ecosystems, innovation hubs, and effective cultural economy models.

Among the province’s success stories is Ta Phin commune, one of Lao Cai’s earliest community-based tourism destinations and a locality renowned for its diverse traditional occupations that provide stable and sustainable livelihoods for ethnic minority communities.

Lorient Mayor Fabrice Loher said the festival offers an opportunity for the public to discover the richness of Vietnamese culture while fostering dialogue, mutual understanding and stronger community ties through art and cultural activities.

As the tourism sector seeks to increase visitor spending and extend stays, the development of the night-time economy is increasingly seen as a way to create new tourism products, enhance destination appeal and support sustainable urban growth.

The documentary, filmed in Argentina and Vietnam, centres on Argentine war correspondent Ignacio Ezcurra and the decades-long effort to uncover the circumstances surrounding his death during the Vietnam War.

Beyond avoiding unlawful activities, many young supporters are also helping foster a healthier online environment. Regardless of which team they support, they maintain respect for opponents, coaches and players participating in the tournament.

The concert will celebrate the timeless masterpieces of Russian composers Pyotr Ilyich Tchaikovsky and Modest Mussorgsky, and Hungarian Béla Bartók.

UNESCO Assistant Director-General for Culture Nayef Al-Fayez stressed that the values represented by Van Mieu – Quoc Tu Giam – the fondness for learning, cultural continuity, and the pursuit of knowledge – closely align with UNESCO’s mission to advance education, safeguard heritage, and foster dialogue among nations.

That transoceanic romance endures as a symbol of devotion and an early cultural bridge between Vietnam and Japan. It has spawned a string of artistic works, notably the “Princess Anio” musical, first staged to mark half a century of diplomatic ties.

Beyond product display and retail, the village is positioned as an open cultural space where visitors can explore the history of pottery-making, observe production processes, interact with artisans, and take part directly in pottery-making activities.

As cultural industries and the creative economy gain momentum, AI is proving valuable in improving efficiency, streamlining operations and enabling creators to focus more on artistic content.

The centre is expected to become a vital venue for the Vietnamese community in Thailand to hold on to their cultural identity and language, while doubling as a bridge to further deepen the two countries’ Comprehensive Strategic Partnership.

The Vietnamese Consulate General in Busan pledged to work closely with KVCC to organise more cultural activities, while local officials expressed support for programmes helping Korean-Vietnamese families and children better understand Vietnamese culture.

The nearly 40,000 photographs taken from the late 19th to the early 20th century by generations of EFEO scholars document the culture, history, architecture and society of Vietnam and Indochina.