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Photo exhibition highlights Vietnam-Russia traditional ties

Prime Minister Nguyen Xuan Phuc and his Russian counterpart Dmitry Medvedev on November 19 visited a photo exhibition which featured the Vietnam-Russia traditional relations and comprehensive cooperation.
Photo exhibition highlights Vietnam-Russia traditional ties ảnh 1General Director of the Vietnam News Agency Nguyen Duc Loi (R) introduces photos at the exhibition to Prime Minister Nguyen Xuan Phuc (centre) and his Russian counterpart Dmitry Medvedev (next to PM Phuc) (Photo: VNA)

Hanoi (VNA) – Prime Minister Nguyen Xuan Phuc and his Russiancounterpart Dmitry Medvedev on November 19 visited a photo exhibition whichfeatured the Vietnam-Russia traditional relations and comprehensivecooperation.

Russian PM Dmitry Medvedev is on an official visit to Vietnam on November18-19.

The 60-photo exhibition was held by the Vietnam News Agency (VNA) and the RussianNews Agency TASS to mark the 60th anniversary of the relationsbetween the two news agencies, and the upcoming 70th anniversary ofthe diplomatic ties between the two countries.

Party Central Committee member and VNA General Director Nguyen Duc Loi and TASSGeneral Director Sergey Mikhaylov introduced the two Prime Ministers to standoutphotos on the traditional friendship and comprehensive cooperation in the pastyears. All of the photos were taken by VNA and TASS journalists.

Photo exhibition highlights Vietnam-Russia traditional ties ảnh 2Prime Minister Nguyen Xuan Phuc and his Russian counterpart Dmitry Medvedev look at a photo at the exhibition (Photo: VNA)

After 69 years, the relations with Russia have been fortified and expanded inall sectors.

Particularly, the comprehensive strategic partnership, which was established in2001, has served as a basis to elevate the bilateral ties to a new height,bringing practical benefits to both peoples and making positive contributionsto regional and global peace, stability, prosperity, cooperation anddevelopment.-VNA
VNA

Among the province’s success stories is Ta Phin commune, one of Lao Cai’s earliest community-based tourism destinations and a locality renowned for its diverse traditional occupations that provide stable and sustainable livelihoods for ethnic minority communities.

Lorient Mayor Fabrice Loher said the festival offers an opportunity for the public to discover the richness of Vietnamese culture while fostering dialogue, mutual understanding and stronger community ties through art and cultural activities.

As the tourism sector seeks to increase visitor spending and extend stays, the development of the night-time economy is increasingly seen as a way to create new tourism products, enhance destination appeal and support sustainable urban growth.

The documentary, filmed in Argentina and Vietnam, centres on Argentine war correspondent Ignacio Ezcurra and the decades-long effort to uncover the circumstances surrounding his death during the Vietnam War.

Beyond avoiding unlawful activities, many young supporters are also helping foster a healthier online environment. Regardless of which team they support, they maintain respect for opponents, coaches and players participating in the tournament.

The concert will celebrate the timeless masterpieces of Russian composers Pyotr Ilyich Tchaikovsky and Modest Mussorgsky, and Hungarian Béla Bartók.

UNESCO Assistant Director-General for Culture Nayef Al-Fayez stressed that the values represented by Van Mieu – Quoc Tu Giam – the fondness for learning, cultural continuity, and the pursuit of knowledge – closely align with UNESCO’s mission to advance education, safeguard heritage, and foster dialogue among nations.

That transoceanic romance endures as a symbol of devotion and an early cultural bridge between Vietnam and Japan. It has spawned a string of artistic works, notably the “Princess Anio” musical, first staged to mark half a century of diplomatic ties.

Beyond product display and retail, the village is positioned as an open cultural space where visitors can explore the history of pottery-making, observe production processes, interact with artisans, and take part directly in pottery-making activities.

As cultural industries and the creative economy gain momentum, AI is proving valuable in improving efficiency, streamlining operations and enabling creators to focus more on artistic content.

The centre is expected to become a vital venue for the Vietnamese community in Thailand to hold on to their cultural identity and language, while doubling as a bridge to further deepen the two countries’ Comprehensive Strategic Partnership.

The Vietnamese Consulate General in Busan pledged to work closely with KVCC to organise more cultural activities, while local officials expressed support for programmes helping Korean-Vietnamese families and children better understand Vietnamese culture.

The nearly 40,000 photographs taken from the late 19th to the early 20th century by generations of EFEO scholars document the culture, history, architecture and society of Vietnam and Indochina.

The annual event is one of Bulgaria’s largest international cultural festivals, attracting more than 20,000 visitors, including local residents, international tourists and members of Asian communities living and working in the country.

The display presents objective and verifiable historical and legal proof of Vietnam’s maritime and insular sovereignty while underscoring the unyielding resolve, patriotism, and contributions of generations of Vietnamese soldiers and citizens.

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The exhibition, part of the Hue Festival 2026, showcases 45 artworks created during the 5th Fine Arts and Heritage Creative Camp, held in Hue city from May 10 to June 10.

Vietnamese Consul General in Osaka Nguyen Truong Son said the programme served as a meaningful platform to introduce and promote Vietnam’s rich cultural heritage to international audiences while strengthening solidarity within the Vietnamese community in Japan and fostering connections with their roots.

The exhibition, “Vietnam Crossroads”, is framed as an invitation to retrace Vietnam’s historical journey. Each photo functions as a fragment of a larger story, spotlighting the vitality, determination, and resilience that have defined the Vietnamese people across periods of upheaval.

The inscription collection, which is believed to be from the fifth century to 13th century, were carved on sandstone and terracotta stele, cantilevers and architectural structure beams and girders, or were engraved texts on pedestals.